Saturday, March 8, 2014

Rambling Thoughts While Drinking a Bud



Tonight, I cracked a Budweiser.  This may shock you.  What can I tell you?  I’m a complicated guy.  An enigma.  I’d been tempted for a while, & tonight was the night.  It had been a long time since I last had a Bud.  I can’t tell you when.  I’d wager a bet that, in the past ten years, I’ve had more Westy 12 than I’ve had Bud.  Not bragging, just saying it’s that infrequent. 

But I’d had a craving for a while, a yearning to revisit that most American lager-ish of American lagers.  What brought this on?  It seems that, amid the craft beer world of extremitsm & experimentation, simple lager has a niche appreciation.  A cult following, if you will.  Among the fans?  He-e-e-ell no – they still avoid it like the plague they think it’s made from.  It’s the professional brewers that go for the stuff.  I’m not saying Budweiser, specifically, but the buzz is that many pro brewers, when they’re drinking on the reg, go for lagers.  Obviously, I can’t speak from experience (not being a pro brewer & all), but it piqued my interest.  It impressed me that, in a recent article in BeerAdvocate, the founder & brewer of Boneyard Beer - one of Oregon’s cultest upstarts & known for its killer RPM IPA – shared that he loves lagers & drinks mostly Busch & Busch Light.  

Whu--?!  Brewers all over (begrudgingly or not), give Anheuser-Busch props for making an incredibly consistent, clean, simple product.  In reading Tom Acitelli’s book, The Audacity of Hops, I was also impressed by the fact that David Geary, founder of New England’s first craft brewery, was booed – BOOED – at the 1996 Association of Brewers’ conference for suggesting the same: “You would kill to have the consistent quality they have,” he told the ass-hurt crowd, “You may not like the style, but it’s not bad beer.”  This at a time when small brewing en masse was suffering from a significant quality control issue that was hurting its reputation.  There seems to exist a nearly closeted appreciation for these basic, clean beers, & many brewers will testify that a straight-forward lager is not easy to brew.  The winning entry of this past year’s National Homebrewers’ Conference, amid thousands of entries across every acknowledged style, was an American light adjunct lager.  This sense of underground, viral acknowledgment had been gaining on me for a while.

So what the hell?  It appealed to me, & I decided to give it a try.  It poured a very pale golden yellow, absolutely transparent.  The head built quickly & dissipated to nothing.  Smells of a very light sweetness & straw-like grain profile emerged.  The taste followed suit, with the addition of a mineral quality & a subtle bitterness rounding it off.  Very little to speak of, but completely inoffensive & what was there was decent.  The only really negative aspect was a harsh carbonation, sharp like seltzer, that made it a little difficult.  Other than that, definitely doable.  I can’t see going back any time soon, but it didn’t come close to resembling any of the number of bodily fluids to which beer geeks frequently compare it.

That word “adjunct” seems to have a tone to it.  “Adjunct”.  I get the sense that people use it as a euphemism, a slightly more diplomatic replacement for “mass-produced”, “industrial”, or just plain “shitty”.  Adjunct refers to any source of fermentable sugar in the brewing process other than malt, rice & corn being the two most widely used &, not coincidentally, the most stigmatized.   Used to be that a craft brewer worthy of the name (according to the Brewers’ Association) could not brew a flagship using any adjuncts, or if they did it had to be “to enhance rather than lighten the flavor” to be considered “traditional” (the BA’s words).  The common talking point among the anti-big beer crowd has long been that brewers of adjunct lagers introduced corn & rice as a way to cut corners & shore up the bottom line, to the detriment of their own product.  Historical accounts, however, point to a motive less cynical (though profit is always a consideration – it’s still business).*  The American palate in the 1800s shifted from the heavier old world styles – Bavarian lager, English porter – to light, crisp, quaffable, & aesthetically pleasing.  This was exemplified in the Bohemian pilsners, viewed as a beer fitting an emerging modern lifestyle, a lifestyle born of industrialization.  A modern beer for increasingly modern times.  American brewers wanted to emulate this Czech marvel, but found that native six-row barley was too protein-rich & left unsightly globs in the finished product.  

They experimented with corn (which worked, but often at the risk of imparting a rancid flavor) & - voila! – rice.  This evolution was made to create a product of higher quality & appeal, a concept that may startle today’s beer geek – NOT to lighten or cheapen.  To the contrary, American adjunct lager was actually more expensive to brew than all-malt, & the result of industrial era brewers’ creativity with indigenous ingredients.  Don’t get me wrong: I’m happy that today’s craft beer paradigm is around all-malt beers & much prefer them to adjunct lagers.  However, I think that those who view this traditional family of beers as a bastardization suffer from a lack of historical & cultural perspective.  The Brewers’ Association recently modified to its definition of craft brewer to include this American tradition.  Part of me wonders, though, how much the change in the BA’s definition has to do with a broadening of ideology & how much it might have to do with wanting some of the bigger players (uh…Yuengling) under its umbrella.  Personally, I have a soft spot for Yuengling & Straub, two old school breweries that are still family-owned & independent, & who were (previously) excluded from this camp.

Speaking of historical perspective, of late I’ve also been fascinated by the process by which American beer culture may have evolved to be represented by one style.  Centuries ago, things were much more pluralistic, with thousands of breweries producing many styles from different traditions.  Over time, the number of breweries decreased to hundreds, then scores; the number of styles to, pretty much, one.  Two, if you count “light lager”.  Prohibition had something to do with it, but like I said before, industrialization & modernity had a hand as well in shaping people’s tastes.  The polyculture of American beer today is apparent, but could there exist a time when trends could gradually ebb toward a monoculture once again?  And what would that be?  The IPA has risen to dominance as THE iconic craft beer style.  Craft beer is on the rise, & big beer’s market share is slowly receding.  We’ve also seen the backlash against high ABVs & extreme beer in the push toward more sessionable beers & moderation.  Can you imagine a future where session IPAs are the next American lager?  Two hundred years from now, where the adjective “beery” refers not to the aroma of corn & musty basement, but to grapefruit & pine? 

It’s a brave new world.  No answers here, folks, just thoughts.  See?  This is what happens when I drink Budweiser.


*Info on the origin of adjunct lager comes from Maureen Ogle’s excellent history of American brewing, Ambitious Brew.  Read that first, then the Tom Acitelli book mentioned above, which picks up where Ogle leaves off.

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