Keepin' It Fresh

Be sure to thank TJ next time you see him.

We at The House are not perfect.  This business was started from the ground up & has grown very organically.  We weren’t always the House of 1000 Beers – years ago, it was a thrill to tout that we carried 200 different beers.  Over time, good beer has grown & expanded incrementally, steadily.  We have somehow been able to keep pace with it for the most part, & now carry a pretty massive stock.  Actually very massive, & we’ve gone through innumerable transformations, trying to flex our space to accommodate the ever-larger number of brands & bottles in our shelves & coolers.  It ain’t easy, especially while also trying to maintain space for the bodies.  Few establishments in the area struggle with the combined challenges of being both a bottleshop & a functioning bar within the same space, both with their own needs & swell.  It amazes me sometimes, how seldom the sound of busting glass echoes through our humble House. 

We’re big on beer, but are still a small business.  While other noteworthy local beer joints – themselves small businesses – have opened second, third, or fifth locations, we’re still here in New Ken.  We’ve got a small staff, barely in the double-digits, & rarely are more than four people max on shift at one time.  We work our asses off, & pride ourselves on things running as smoothly as they do.  The coolers get stocked, the trash gets taken out, the customers get served, the floor gets mopped at the end of the night.  But occasionally…

We feel fortunate to make a living selling & celebrating one of mankind’s most beloved creations.  That creation needs care, however, & is sometimes high maintenance.  Beer can be downright fussy.  The wrong lighting, or too much lighting, & it skunks.  The wrong temperature & it oxidizes, aging too quickly & tasting like cardboard.  Too long on the shelf & the flavors fade & muddle.  As craft beer grows, so does the concern over proper handling & serving.  The issue of freshness dating has gotten a lot of traction lately, with more & more companies putting either “Bottled on” or “Enjoy by” on the label.  Stone took a huge step in releasing a series of beers with “Enjoy By” right in the name, leaving no room for doubt or oversight as to its freshness.  The Brewer’s Association is calling for freshness dating to be industry standard, for the benefit of both the producers & consumers.

Again…we’re not perfect.  With a huge inventory & small staff, it’s no mystery how bottles can fall through the cracks & remain on the shelves weeks, sometimes months after their recommended consumption date.  It’s egg on our face when someone buys a bottle only to return it (or, more embarrassingly, complain about it on-line) because it’s old.  It happens.  Beer does not “spoil” in the same way that milk does – nothing harmful that can grow in the low pH, ethanol-rich environment of beer.  It won’t make you sick.  But it can taste off, even gross, sometimes when it’s gone over the cliff.  IPAs are notoriously short-lived, along with most lagers, wheats, or any style that’s light or hop-forward.  Pliny the Elder’s label explicitly says “Does not improve with time!  Do not save for a rainy day!”  Many other IPAs’ branding has followed suit.

We care about beer, & we realize that we need to constantly be improving our own quality control to keep up with the expectations of our customers & give that liquid the respect it deserves.  Again, we’re not perfect, & there have been enough fouls in the past that we’re taking some action.  Our “House Viking”, TJ, is undertaking a massive overhaul of our stock room, combing through the rows upon stacks upon aisles to ensure that any old stuff is weeded out.  Beers found out of date are being discounted & sold either in our Mix 6 section or $1 shelves.  Take note that any beers with crossed-off pricetags have been “relocated” to this area because of their age, & make an informed buying decision.  Sometimes age turns a beer crappy, sometimes it just turns it into a different beer.  One customer was happy to find some discounted Brooklyn Monster on the Mix 6 shelves; this beer’s been discontinued by the brewery &, being a barleywine, should not suffer at all from sitting out for a while. 

We’re doing what we can for the good of the brew, & ask the same from others in the chain.  We’d like to see more breweries putting “Best by” dates on the labels, clearly, sans inscrutable coding or laser etching that smears or wasn’t legible to begin with.  We’d like our distributors to be mindful of product that’s been collecting dust & please not bring it to us in the first place.  And we ask you, the customer, for your patience & cooperation.  It wouldn’t hurt for the shopper to check for dates themselves – try as we might, it’s much harder for us to scan thousands of bottles than it is for a customer to check the dozen or so they’re grabbing.  And if you do notice something past its prime, please tell an employee so we can do something about it.  We’ll be forever grateful.

It’s a good sign that concerns like this are rising to the surface, a sign that more people are becoming aware of beer & how to do it right.  Together, we can make it happen.  And yeah, if you see TJ, tell him “Thanks”.  Maybe buy him a pint.

No Walez in Pittsburgh, Bro

If you’ve followed this blog for long, you might have noticed that I don’t offer much commentary on the Pittsburgh beer scene.  I’ve mentioned different local bars, beers, or breweries, usually as illustrations or part of a story - the overwhelming majority of my craft beer experience has been here.  I seldom share opinion or critique on the state of Pittsburgh’s beer scene.  In part, I’ve been busy.  I don’t get out as much as I used to, & these days have fewer “real life” experiences pounding the pub pavement than in the past.  I get most of my interaction on-line – forums, social media - & there are enough local & vocal personalities buzzing to feel like I’m keeping abreast of goings-on. 

Like the rest of America’s craft beer culture, Pittsburgh’s seen a steep incline in activity, & the slope gets higher & higher.  More bars & bottleshops popping up or getting in on the game.  More breweries.  Penn & Church Brew Works were long the stalwarts, the latter opening in 1998, the former in 1987; Rock Bottom came along in 2002.  When East End started up in 2005, I can’t say it opened the flood gates, but it gave others the idea that, hey, we can do this too, paving the way for Rivertowne in 2007, Voodoo in 2008, & Full Pint in 2010 (I’m obviously including greater southwestern PA in the “Pittsburgh scene”).  Then in 2011 we welcomed Helltown, All Saints, & Draai Laag.  Roundabout, CoStar, Hop Farm, Four Seasons, & ShuBrew started up last year, & now in just over the past month we’ve seen four new additions in Hitchhiker, Brew Gentlemen, Grist House, & Milkman.  Many of those already in operation have expanded in different ways – East End’s new brewery & soon-to-be-brewpub; Rivertowne & North Country adding both production breweries & canning lines; Voodoo’s brewpub & exploding barrel program, & talk of a second location in the city.  This is just a microcosm of the greater American scene, & expansion’s afoot all over the friggin’ place!  I’ve gotta be forgetting a few, or sleeping on the details (not sure when North Country or Timber Creek opened, exactly).  And there’s always that red-headed stepchild…

One refrain that’s repeated a lot among the geekhood is “When?”  “When is that beer gonna come along to really put Pittsburgh on the map?  Where’s our Heady?  Our Hunahpu?  Our Kate the Great?  WE NEED TRADE BAIT!!!”  East End’s Gratitude releases have been a big event, attracting scores if not hundreds of attendees (though this is a fairly recent thing, & has met with its share of complications), & Voodoo’s Barrel Room releases bring the hordes.  Hop Farm’s Margot release was a draw, too, yet the beer geeks still seem unsatisfied.  Where’s that WORLD CLASS BREWERY we’ve been waiting for?  When’s Fayette County going to get a Hill Farmstead?

I’m not sure what it is the natives are so restless about.  Is it a pride thing, like having a brewery featured in GQ is like another Super Bowl ring?  Do we want other on-line geeks storming our borders?  Are we so ready to have our spot blown up?  Is it about trade bait?  I used to bemoan the scarcity of local whalez, too, until I stopped caring about that stuff & started appreciating what’s around for me to drink.  Not a ton of imperial stouts, wild ales, west coast IPAs, etc.  But you know what?  Brown used to be one of my least favorite styles, but I came to realize that three of my favorite brown ales are brewed locally (East End Fat Gary, Helltown Mischievous, & Full Pint Little Brown).  Munich Dunkels typically don’t make the hardcore salivate, but I really dig Penn Dark & Church’s Pious Monk.  Dunkelweizen is not something I usually go wild for, but I tried the All Saints/Helltown Dark Angel collab during PCBW & was really impressed – such depth of flavor & character coming from such a humble beer. 

There’s been chatter for years now about The Bubble.  Is this rapid expansion sustainable?  When will it pop?  What will the fallout look like?  The US is able to keep more than twice the number of wineries in business as it currently does breweries.  Why?  Because most wineries are small & local, serving a slice of the public that looks the same.  There will definitely be big craft breweries to carry us into the future, no doubt, but I think the local boys are part of that movement, that evolution.  I think things will be more sustainable once we all calm down & appreciate what’s around us. 

Doughnuts & Beer

It’s National Doughnut Day!  The past 24 hours have given me cause to question some of my own convictions & backpedal a little.  I’ve written in the past on my skepticism of the success of pairing beer with food (with the exception of cheese).  An especially big hole in the argument for food & beer pairing, for me, was dessert.  Rich, sweet desserts have been a really formidable challenge – any sweetness the beer packs is usually way overwhelmed by chocolate, sugar, concentrated fruit, etc., leaving the beer a bitter, hollow shell of itself.

But y’know…I was listening to a salon from Savor led by Dr. Bill Sysak, Stone’s beverage supervisor & the “grandfather of beer geeks”.  He was pairing beers with artisanal doughnuts from a doughnut/fried chicken place in DC (sounds awesome, right?), & it really whet my appetite to give this another try.  I live close to one of the area’s most beloved bakeries, & am really tempted right now to grab a half-dozen fatty, sweet pastries & hunker down with a few glasses of beer.  Keep in mind, I haven’t done this yet – it may be a disaster.  But damn does it sound good!

Okay, the thing to remember is that, yeah, doughnuts are pretty heavy, flavorful foods, so the beers should pack a punch of taste of their own if they hope to not get plowed over.  Here’s an instance where bigger will probably be better – higher ABV, higher volume of ingredients, higher likelihood of matching the doughnuts’ intensity.  I think I’ve also run into trouble in the past with redundant flavors – no matter how big, a chocolate beer will just get squashed by a chocolate doughnut, so aim for complementing.  A couple possibilities come to mind:

--Coffee imperial stouts/porters:  The bitter roast of coffee is the doughnut’s better half, & while there are “regular” stouts & porters with coffee, I think the intensity here will be a must, once again.  Pretty much any doughnut will fit the bill here, but I’ll go for my favorites, a classic, simple cake or sour cream.

--Barleywines:  Especially English-style, which carry a lot more toffee & caramel notes, along with some dried fruit, than their American brethren.  However, I can also see the potential in a hot, hoppy west coast barleywine, with some candied orange & pineapple notes. 

--Thick fruit beers:  You know what I’m thinking – Lindemans.  Sweet, rich fruit with a hint of balancing tartness.  Get a simple glazed yeast doughnut, & a sweet fruit beer, & make a jelly doughnut in your mouth.  Other fruit beers will work, but again, you’ve got to keep in mind to match intensity, & few fruit beers are as intense as these babies – it’s like a flute of sorbet.

--Rauchbier:  Liquid bacon, right?  Grab a maple doughnut & go to town.  I’ve found that a lot of other smoked beers don’t quite have that cured, salty taste that German Rauchbiers do, particularly the Ur-Bock & Eiche from Aecht Schlenkerla.

--Double IPA:  Sounds insane, right?  Super-sweet with super-bitter.  Patron saint Randy Mosher is a big proponent of the “matter/anti-matter” pairing of IPA & carrot cake, taking contrast to new heights.  Personally, I’d go for a doughnut with cream cheese icing to put next to a double IPA.  DIPAs on the citric side can cut the heaviness, & those on the sweet side tend to carry cakey notes that might go well with a doughnut.  Try it out!

Keep in mind these are just a few suggestions – the real thesis of the Dr. Bill presentation was that there really no rules to beer & food pairing, so go nuts.  You might stumble on something transcendent.  With beer, anything is possible.  Now if you’ll excuse me, I have some research to do.

Rambling Thoughts on Session Beer

I’m in the midst of a “session”, I guess.  By that, I mean I’m drinking several beers in a row.  That’s a “session”, see?  And when I’m in the midst of serial drinking, the opinions start to flow.  For instance: have you noticed that more & more “session” beers are appearing on the shelves?  A few months ago, I playfully hypothesized that the “session” IPAs would replace the adjunct lager as the monolithic American beer style, given a hundred years or so.  We’re far from there yet, but the “session” IPA seems to be one of the fastest expanding sub-categories right now.  In some ways, it seems very transparent & cynical that more breweries are churning out this concoction – literally every week there’s another one or two floating around.  The skeptical, eye-rolling oldhead in me wants to criticize brewers for jumping onto a growing bandwagon.  But I was listening to a podcast episode on the way home from work today (Craft Beer Academy interviewing ShuBrew’s Zach Shumaker) & was reminded of the craft beer truism: “We brew what we want to drink”.  Sure, brewers are running a business & need to sell beer, but if this is the wave that they’re catching, why wouldn’t they just want to take their own stab at it?  If Ken Grossman drinks a DayTime Fractional IPA & says “Damn!”, why wouldn’t he want to make one, too?  It’s nice having an epiphany that helps overcome cynicism.

I use quotation marks around “session” up to this point (I’ll stop…now!) because there seems to be some controversy about what the term means.  Within the context of the recent craft surge, the focus is on the effect: Can you drink multiple session beers & still be fairly functional?  How functional do you have to be, exactly?  The idea is there, but it’s pretty subjective – I’ve seen beers as strong as 6% ABV called session beers, & if you ask me, that’s really pushing it.  Others (Lew Bryson, Martyn Cornell, & the infamously tenacious Adrien “Ding” Dingle) put a specific figure on the upper limit, anywhere from 4% (the latter) to 4.5% (the former).  It’s a debate of the letter of the law vs. the spirit, though personally, I’d rather see a definite number attached.  Maybe that’s just my need for categorization, the same that makes me wring my hands over stylistic parameters.  Ding makes the good point, though, that session beer has a tradition in England that has existed aside from just the ABV cap, whereas it’s a relatively new phenomenon in the US, & thus the US craft beer is struggling to establish (some artificially) its own parameter, one that diverges from the English boundaries.

It’s not all about ABV, though.  As much as the word “session” causes some controversy, the word “drinkable” has made a few beer geeks bristle as well.  Does it mean “easy to drink” or “enjoyable”?  Though accepted in craft circles traditionally (BeerAdvocate used to use it as a criteria in rating a beer, along with smell, taste, mouthfeel, & appearance), one of the big boys hijacked it in an ad campaign a few years ago.  I read this as a passive-aggressive insinuation that craft, with its generally ratcheted up flavor & alcohol level, was the opposite of drinkable.  If macro lager is drinkable, craft must be UN-drinkable, right?  Not a favorable adjective.  “Un-sessionable” is more diplomatic than “undrinkable”, implying that an imperial stout is something you can have more than, say, two of.  Fair enough.  And low ABV doesn’t equate to being sessionable, either.  Take a lambic from Lindemans: most are in the 3.5% to 5% range, but they’re sipping beers - rich, sweet, & full-bodied.  I’d have trouble sitting over a session putting back a few Lindemans.  It’s about lightness, ease of consumption.  God forbid, though, you use the phrase “light IPA”.  Again, gonna put out there that, like light lager has ruled for decades, session IPAs could come to be the reigning paradigm.  I can see it now - “Founders All Day IPA, the official beer sponsor of the Super Bowl”.  

Oh yeah – if something’s gonna be “sessionable”, it should cost less, too.  Fewer ingredients, right?  Pass the savings along.  This would be help encourage session drinking, too; if something’s meant to be drunk serially, why should it cost the same as something that’s meant for single consumption?  Lower the ABV, lower the volume of materials, lower the price.  Wishful thinking?  Enjoy your beer, everybody.

Top Shelf Thursday, May 2014: The Tart & the Horsey II

We just can’t get enough of a good thing here at The House.  Not content with throwing the first & only sour & wild beer festival in western PA (which wrapped its third year just over a month ago), we gotta have more of the beautiful funk!  That’s what this past Top Shelf Thursday was all about – bringing more of it to those who also can’t get enough!

Okay, done grandstanding.  After last year’s presentation of The Sour & the Funky, we had enough folks who either couldn’t attend because of scheduling conflicts, or who couldn’t spring for the entry fee, or who were just down for another round, so we decided to do an “encore” of The Sour & the Funky & fit it into one of our Top Shelf Thursday tastings, calling it ‘The Tart & the Horsey’ (“tart” is obvious; “horsey” is a common descriptor for musky, pungent brett beers).  Ten samples for $17 is easier to handle.  We think of it as the ‘EP’ to TS&tF’s double album.  As there were a few more repeat attendees to both the bigger event & the smaller tasting this year, we also mixed up the line-up a little more, including a few highlights from the original list with even more novel additions.  Batter up!

If I say that we started folks off easy, it’s by no means a discredit to the beer – it’s just that Lindemans Faro is easy to love.  A blend of old & young lambic, sweetened with candy sugar, this lesser known Belgian style hits a beautiful balance of sweet & tart.

Few had heard of California’s Cismontane Brewing, & their Flanders-style red, named Marea Roja, was the first of several for the night.  Though a little thin at first, the beer opened as it warmed, bringing smooth cherry & subtly tart vinegar notes to the fore.

We moved from the sour to squarely funky territory with the next two courses, both farmhouse-style ales.  Jolly Pumpkin is known for barrel-aging with wild & ambient microflora, which explained the aggressive foam that spewed from both bottles of their hoppy farmhouse, ES Bam.  It packed a big brettanomyces wallop, characteristic of this cult brewer’s work.  Liopard Oir, from Erie’s Lavery Brewing, was a little more smooth & subtle in the brett delivery, making for a nice contrast with the ES Bam.  Gaelic for “golden leopard”, the symbol that adorns the Lavery family crest, Liopard Oir took the gold medal in the Saison category at the most recent Great American Beer Festival – serendipitous naming!

If sour beer is to your thing at all, Timmermans Oude Gueuze will hit you right in the solar plexus.  This traditional gueuze delivered a pungent, complex aroma wafting over a seriously sour body.  If tonight’s tasting had a thesis, this would be it – all that wild beer can be.  All the more impressive that it comes from a brewery typically known for its lighter, sweeter takes on lambic.

While Timmermans Oude Gueuze is pure tradition, Evil Twin’s Femme Fatale Blanc took a turn in the more experimental direction.  A 100% brett-fermented IPA with the Kiwi Nelson Sauvin hops, Femme Fatale Blanc (like last month’s American Style IPA) demonstrated how well brett can complement the hop character of a bold IPA.

Speaking of non-traditional, we found ourselves at a cross roads of tradition & innovation with Drie Fonteinen’s Zwet.Be.  A porter fermented with the lees of used lambic barrels, it was interesting to see one of the world’s most renowned lambic breweries breaking the mold, creating a hybrid of two long-standing traditions.

California’s Almanac Brewing also flirted with experimentation & tradition with Dogpatch Sour.  Inspired by Flanders reds, Almanac took the step of adding cherries & fermenting with a San Francisco sourdough yeast culture, creating a deeply flavorful & aggressive acidic beer.  Locals Draai Laag also tend to bend the style rules in almost everything they do, & La Pienture (“The Painted One”) was no exception.  Falling somewhere between a Flanders red, oud bruin, & kriekbier, this anomaly was full of flavor, & we were happy to have tried it in its newly christened bottle form.

Last but far from least was Goose Island’s Lolita, the most nubile & seductive of Goose Island’s four sisters (I can’t believe I just wrote that – oy).  Brewed with brett & bugs, aged in wine barrels with raspberries, this little beauty was deceptively strong at 9% ABV, capping the evening with a delightfully deep, complex tartness & fruit character. 

So there it was, the “midnight snack” after a feast of sour, wild, funky beers.  I think what I appreciate about a flight like this is how much variation can be displayed even within a niche as tight as the “sans-saccharo” family.  As always, people were into the beers to varying degrees, but what’s important is that everyone was game & willing to try something that may have been a bit outside their comfort zone.  Then again, there were those found themselves right at home.  Different strokes.  As always, thanks to all who came out, drank, discussed, drank, & made friends over the course of a fun evening.  Hope you’ll join us next month – John suggested we do “staff picks”.  Could be interesting…

My Cantillon Story

Have you heard?  Sour beers are getting popular.  Mainstream news sources (most recently USA Today) have noticed the upswing in the number of sour & wild beers rolling off lines - google “sour beer trend”.  They’ve noticed the accolades that they get, & cultish appreciation around these mysterious bugged brews.  While sour beers are definitely trending up, it’s hard to say that there’s tremendous exposure or popularity outside of that niche.  It’s probably safe to say that the amount of sour beer being consumed in the US is still only a fraction of a percentage of craft beer, which itself still only comprises seven percent of overall domestic beer consumption.  But the attentive media, supported by anecdotal evidence within our hallowed walls, says that sours are hot.  Don’t know if the demand - OR the supply - will hold fast, but it’s an exciting time if you’re into these esoteric ales. 

And people are paying for them.  Sours are expensive to make, taking a long time to ferment &, if blended, more hands-on time than many other styles.  They’re temperamental – not all wild/sour fermentation turns out pleasant, & the microflora used to ferment can be fussy.  They’re limited, most only released annually, if that.  But when done right, the results are exquisite, & the demand is high for the good stuff.

It didn’t used to be.  When I hear about sour beers on the rise, my mind goes back nine years ago to Kelly’s Bar & Lounge.  It was the middle of summer, my sister was visiting from out of town, & we hit Kelly’s for dinner & drinks after a hot day stomping around the east end.  I saw Cantillon Kriek on their menu, & had recently had a kriek from Red Star in Greensburg, a very fruity, sweet, refreshing beer.  Thought the Cantillon would be right up my alley.  The server brought a 750 mL bottle to the table, way more than I was expecting.  O-o-o-okay.  I dove in & poured a glass.  It smelled & tasted like vinegar with the sourest cherry flavor imaginable.  I tried another sip – just couldn’t do it.  To my palate, this stuff was putrid & undrinkable.  My sister tried some & confirmed it.  Gah.  I ordered another beer – I forget what, but I’m pretty sure I played it safe. 

We finished the meal & the check came.  I scoped out what this turd was going to cost me - $16.95!  WTF?!  It was doubtless the most I’d ever spent on a beer up to that point.  Nonetheless, I held my nose & settled up, lesson learned.

$16.95 for a 750mL bottle of Cantillon.  At a restaurant.  And I hated it.  Maybe you thought going in that this was going to be a story about how I was into sours before they were cool, but it wasn’t & I wasn’t.  A year later I had a Rodenbach at a beer festival & thought it sucked, too.  Now Flanders reds are my favorite style.  It took another few years & reading The Brewmaster’s Table until I was ready to give sour beer another stab – the description, the history, the process intrigued me.  I tried a Lindemans Cuvee Rene & loved the complexity & challenging aspect of it.  I got it then; it stuck. 

We used to stock Cantillon regularly at The House – at the time, a bottle of Lou Pepe was $18, & I’m pretty sure it was the priciest bottle in the store.  Things have really changed – Vecenie’s doesn’t distribute it any more.  When a bottle does float in, it sure as hell doesn’t go for $18.  These days, Cantillon is one of the most prestigious brewers in the world, & the subject of much braggadocio among beer geeks.  A decade ago?  No big deal, just that weird brewer with the unpronounceable name, that makes lambics that don’t taste like Lindemans.  I chuckle & think about how good I had it, & how gross it was.  

Top Shelf Thursday, April 2014: Brother vs. Brother

It’s hard not to take interest in the lives of Jeppe Jarnit-Bjergsø & Mikkel Borg Bjergsø, the identical Danish gypsy-brewing twins.  That description alone should whet your appetite.  The story of the minds behind Evil Twin & Mikkeller, respectively, has been the stuff of legend.  How much of the rivalry talesares true?  Are they really never in the same room?  Maybe it’s a Tyler Durden scenario – who knows?  What we do know is this – their labels are hard to miss, & they design some damn good brew to back them.

I use the word “design” deliberately – it’s a stretch to say they “brew” the beer, though “make” is closer.  They create the recipe, choose the ingredients, & leave the actually brewing to the brewers at De Proefbrouwerij, Westbrook, Anchorage, or whoever is hosting their latest project.  Such is the nature of the gypsy brewer: ever nomadic, without a brick & mortar to call home.  Mikkeller (originally the project of brother Mikkel & friend Kristian Klarup Keller, thus the name) pretty much made gypsy brewing a thing, with others also adopting the ethos – among them brother Jeppe, in part, possibly, to serve as a thorn in his brother’s side. 

The fixation on these two has been long-withstanding, & an article in the New York Times magazine not too long ago spurred my interest further.  Why not use the Top Shelf Thursday platform to indulge this fixation?  All systems go!

If Evil Twin has a “flagship”, it’s probably their Hipster Ale, an American-style pale ale.  It hit familiar notes, with a citrusy overtone & a dry finish – maybe the only truly distinguishing thing about it was its place as the first canned beer poured at a Top Shelf Thursday.  Familiarity soon vanished with the second beer from Evil Twin, a smoked pilsner known as The Cowboy.  The idea of a smoked pilsner was new to pretty much all in attendance, & the flavors of the smoked malt overlapped well with the earthy & sulfur-like notes of the pilsner’s noble hops. 

We ventured into entirely different territory with Mikkeller’s Beer Geek BreAKfast (note the ‘AK’), Mikkeller’s famous coffee imperial stout tweaked by the brett-&-barrel-heavy Anchorage Brewing.  The coffee notes were prominent, complemented by the dry finish of the brettanomyces.  Brett figured into the next two beers from Mikkeller, as well.  American Style IPA, created in collaboration with fellow gypsy Prairie Artisan Ales, was fermented 100% with brett.  The strain they used was a relatively clean one, foregoing the expected barnyard funk & instead imparting a fantastic pineapple flavor to the hopped up ale.  It’s Alive, Mikkeller’s tribute to the renowned Orval, displayed its brett in a different way.  This one definitely had a funky, herbal nose, delivering more classic brett character. 

Perhaps the award for best label of the night went to Keith Shore’s fluorescent design for Mikkeller’s 1000 IBU.  While perhaps hyperbolic, many understood how Mikkel arrived at the name of this abrasive double IPA. 

Evil Twin’s Yin, described as a “Taiji Imperial Stout”, hit familiar strains of dark fruit, roast coffee, & a bracing malt & alcohol backbone.  Yin was conceived as a complement to Yang, a “Taiji Imperial IPA”, meant to be drank as a black & tan, though it worked perfectly well solo.  Booze played a role in Evil Twin’s Freudian Slip, as well.  This American-style barleywine bore a strong but balanced hoppiness that interplayed smoothly with the characteristic barleywine heat.

There were many looks of recognition when we broke out Mikkeller’s Beer Geek Brunch Weasel, a beer whose reputation precedes it for its use of kopi luwak coffee beans, processed through the digestive system of an Asian palm civet.  Though many had heard of this brew, few had tried it, & were impressed by the rich chocolate flavors & velvety mouthfeel.  And many questions arose around the final beer of the night, Evil Twin’s Lil’s B: what’s the ‘B’ stand for?  Who’s on the label?  Is it a young man?  An old woman?  Lil’ B left no doubt in the minds of attendees as to its deliciousness, an imperial porter that definitely satisfied.

Thanks again to all who came out to this Top Shelf Thursday during Pittsburgh Craft Beer Week.  If you haven’t read the New York Times article (& have a half-hour to spare), I strongly recommend it.  It paints the picture of the twins’ complicated relationship, & their place in an increasingly complicated craft beer world, poignantly.  As always, though, the beer speaks for itself.